1. A Man was pushed by an unidentified person, and the photographer didn't know what to do, so he flashed his camera towards the subway train driver to get his attention but it was to late.
2. He said to be able to get the subway drivers attention to try to be able to stop.
3. I think he should have in order to do try and save the man and to be panicking i say he did the right thing.
4. I think he did because he was panicking, and the train was to close to run and actually help him.
5. i disagree to do that because the man said he did it to help him but he still gave it permission;n to be on the cover of the newspaper, and that is disrespect towards the victim.
6. It is basically the two put together he was just walking and saw it happen, but his first intention was to not take a photo for the fame and publicity.
7. Yes because a lot of photographers have reason to why they took a photo that they captured.
8. Well yes because some people don't like it when people take photo's as they are naturally doing things, and no because they give a story behind it.
9. Ross Taylor, because she gives the people a chance to speak in order to give a story and an opinion.
Monday, December 17, 2012
Thursday, December 13, 2012
Caption's
Friday, December 7, 2012
Lytro warm-up & Ethics in Fashion photography
1. What happened was that when you clicked on the photo, it would focus on that particular spot, and if you double clicked it was zoom in on that spot, and auto focus on where you wanted it to.
2. It works as if you were actually were in that moment when it happened, and the way it shoots, it shoots in different angels to where your allowed to move the position to where you want it to be, and to where you want it to be refocused, and records a whole entire light field. Well at least i think it does.
3. I think you would have to know, what kind of light, and position you have to take when your in that moment, and if its always ready to take pictures, and you would have to know the right place to take the picture, and where to take the camera.
4. Definitely, because you can refocus, and capture more of the photo, and it allows you to be more free after you take the photo, with more options.
2. It works as if you were actually were in that moment when it happened, and the way it shoots, it shoots in different angels to where your allowed to move the position to where you want it to be, and to where you want it to be refocused, and records a whole entire light field. Well at least i think it does.
3. I think you would have to know, what kind of light, and position you have to take when your in that moment, and if its always ready to take pictures, and you would have to know the right place to take the picture, and where to take the camera.
4. Definitely, because you can refocus, and capture more of the photo, and it allows you to be more free after you take the photo, with more options.
FASHION
1. They took off the pimples, and freckles, that she had on her face by using a lot of makeup, and they changed her hair style, and fixed most of the stuff that they didn't need, and they used a computer program, to change her shoulder height, and fixed the length of her hair.
2. I mean if they wont you to then you should but change it the way they want it to change not the way you want, if they don't, don't force them to change there appearance. So yes and No at the same time.
3. No cause they are doing it for money, and using a high quality camera to do this, and without the camera they wouldn't be able to advertise it good enough.
4. The pimples and the freckles, but not the shoulder length, and the hair style.
5. The differences between fashion, and photography, is that we capture the simple things and let them turn out the way they want, and capture the right moment, and for fashion they change every single detail and try to make it perfect before they capture the actual moment, and photojournalism we use are own mind set to capture the moment at its best time.
6. We all have a similar mind set, and we like to change the hings that we really don't need, but we do it because that's what we like to do.
Monday, December 3, 2012
Self Portrait and Portraits Part II AND Rules of Photography Part II
1. Think about your motivation and emotions: Blankly staring at the camera
rarely gets good results. Be silly, don’t be afraid to over-act. The
worst that can happen is that you fill up your memory card with useless
photos; but you might also find yourself with a proper gold-nugget of a
self portrait.
2. A mirror or some other reflective surface offers an even easier way to
take a self-portrait. In most cases, the camera will be included in the
scene (but this can help make a statement about your enthusiasm for
photography).
3. You can create an especially revealing self-portrait by adding personal
memorabilia surrounding your mirrored image, such as photos of yourself
at various stages of your life, or anything that tells the viewer about
your interests.
Environmental portrait
I liked this photo because you can tell that he used a tripod to give the dog more freedom In it's Original state.
Photography self portrait
I liked this photo of his self portrait, because its like hes telling you a story as in hes losing his mind.I liked this photo because it looks like he used a editing program, and took three photos of different direction's , and made it fit in to look like a shocking photo.
Casual portrait
I liked this photo, because the black and white shows the feeling, and how he is positioned in front of the shed looking thing, it showed that he was probably happy.
I liked this photo because of the lights in the background actually match the subject shirt, and gives more effect to the situation.
A couple of friends, and probably myself, and I will shoot at a background with different colors to show the emotion and feeling to the photo, and to make the shot successful I will tell them to be them selves in the photo, and to be unique, and to NOT fool around.
1.
Rule of Thirds
2.
Balancing ElementsWe Focus on the tackle, not the referee and the other players.
3.
Leading Lines
4.
Symmetry and Patterns (repetition)
5.
Viewpoint
6.
Background
7.
Create Depth
8.
Framing
9.
Cropping
10.
Mergers & Avoiding Them
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